#Where to watch tromeo and juliet movie#
#Where to watch tromeo and juliet full#
#Where to watch tromeo and juliet professional#
#Where to watch tromeo and juliet tv#

#Where to watch tromeo and juliet full#

Romeo pumps Tybalt full of lead while shouting incomprehensible lines.

What can we make of a balcony scene that immediately leads to Romeo and Juliet falling into a swimming pool and reciting their best lines while treading water? I think back to the tender passion of the 1968 version, and I want to shout: вЂњRomeo! Quick! Poison yourself!вЂќ The film's climactic scenes are more impressed by action-movie cliches than by the alleged source.

#Where to watch tromeo and juliet movie#

The movie takes a вЂњShakespeare's greatest hitsвЂќ approach, giving us about as much of the original as we'd find in вЂњBartlett's Familiar Quotations.вЂќ And even then it gets nervous and tarts things up. ( Brian Dennehy, as Romeo's father вЂњTed Montague,вЂќ would have been able to handle Shakespeare, but as nearly as I can recall he speaks not a single word in the entire movie-a victim, perhaps, of trims in post-production.) Not that there is much Shakespeare to be declaimed. The other actors seem clueless, and Shakespeare's lines are either screamed or get all mushy. They know the words and the rhythm, the meaning and the music, and when they say something, we know what they've said. The only actors in the film who seem completely at home, indeed, are Pete Postlethwaite, as Father Laurence, and Miriam Margolyes, as the Nurse. There is a way to speak Shakespeare's language so that it can be heard and understood, and they have not mastered it. Leonardo DiCaprio and Claire Danes are talented and appealing young actors, but they're in over their heads here. Much of the dialogue is shouted unintelligibly, while the rest is recited dutifully, as in a high school production.

The sound track has rock, Latin and punk music, a children's choir, and a production number, but the balcony scene and a lot of the later stuff is scored for lush strings (and not scored well, either this is Mantovani-land, a dim contrast to Nino Rota's great music for the Zeffirelli вЂњ Romeo and JulietвЂќ in 1968). But the movie lacks the nerve to cut entirely adrift from its literary roots, and grows badly confused as a result. If the whole movie had been done in the breakneck, in-your-face style of the opening scenes, it wouldn't be Shakespeare, but at least it would have been something. When, in an early line of dialog, the word вЂњswordsвЂќ is used, we get a closeup of a Sword-brand handgun. There is a fast montage identifying the leading characters, and showing the city of Verona Beach dominated by two towering skyscrapers, topped with neon signs reading вЂњMontagueвЂќ and вЂњCapulet.вЂќ And then we're plunged into a turf battle between the Montague Boys (one has вЂњMontagueвЂќ tattooed across the back of his scalp) and the Capulet Boys. We see newspaper headlines (the local paper is named вЂњVerona TodayвЂќ).

#Where to watch tromeo and juliet tv#

It begins with a TV anchor reporting on the deaths of Romeo and Juliet while the logo вЂњStar Crossed LoversвЂќ floats above her shoulder. In one grand but doomed gesture, writer-director Baz Luhrmann has made a film that (a) will dismay any lover of Shakespeare, and (b) bore anyone lured into the theater by promise of gang wars, MTV-style. Attracting over 1000 applications and following a UK-wide audition tour, six Young Cast members at each venue performed alongside the New Adventures company.The desperation with which it tries to вЂњupdateвЂќ the play and make it вЂњrelevantвЂќ is greatly depressing. The search began in April 2018 with a call-out for the next generation of young dancers currently in training aged between 16 and 19.

#Where to watch tromeo and juliet professional#

Directed and choreographed by Matthew Bourne, collaborating with his entire New Adventures Associate Artistic team Etta Murfitt, Associate Artistic Director, set and costume design by Lez Brotherston lighting by Paule Constable sound by Paul Groothuis and new orchestrations of the Prokofiev score by Terry Davies, played live by the New Adventures Orchestra and conducted by Brett Morris.ДЄs part of New AdventuresвЂ™ ambition to support the next generation of on-stage talent and inspired by the success of Lord of the Flies in 2014, which combined professional dancers and young men with little or no dance experience, Romeo and Juliet featured the finest emerging male and female dancers from around the UK. Bursting with youth, vitality and Matthew BourneвЂ™s trademark storytelling, BritainвЂ™s brightest young dance talent joined the New Adventures company for this World Premiere production. Matthew BourneвЂ™s Romeo and Juliet is a passionate and contemporary re-imagining of ShakespeareвЂ™s classic love story.